Historic Stage
24 October, 19:00
24 October, 19:00
Program
Opera
Gioachino Rossini
Figaro's aria “Largo al factotum” from Il Barbiere di Siviglia
Edward Nelson, baritone, USA
Gioachino Rossini
Narciso’s recitative and aria “Intesi: ah! Tutto intesi” from Il Turco in Italia
Valery Makarov, tenor, Russia
Gaetano Donizetti
Lucia’s aria “Regnava nel silenzio” from Lucia di Lammermoor
Emily Pogorelc, soprano, USA
Jules Massenet
Sancho Pança’s aria “Riez, allez, riez du pauvre ideologue” from Don Quichotte
Jusung Park, bass-baritone, South Korea
Gioachino Rossini
Arsace’s cavatina “Ah Quel giorno ognor rammento” from Semiramide
Keymon Murrah, countertenor, USA
Giuseppe Verdi
Corrado's aria “Tutto parea sorridere” from Il Corsaro
Ivan Ayon-Rivas, tenor, Peru
Vincenzo Bellini
Romeo's aria “Se Romeo t'uccise un figlio” from I Capuletti ed I Montecchi
Victoria Karkacheva, mezzo-soprano, Russia
Gaetano Donizetti
Tonio's aria “Ah mes amis” from La Fille du Régiment
Jonah Hoskins, tenor, USA
Giuseppe Verdi
Violetta’s aria “È strano, è strano” from La Traviata
Mané Galoyan, soprano, Armenia
Giacomo Puccini
Rodolfo's aria “Che gelida manina” from La Bohème
Bekhzod Davronov, tenor, Uzbekistan
Sergei Rachmaninov
Aleko's aria “Ves tabor spit” from Aleko
Dmitry Cheblykov, baritone, Russia
Zarzuela
Pablo Luna
“De España vengo” from El niño judío
Ekaterina Sannikova, soprano, Russia
Amadeo Vives
“Por el humo se sabe donde está el fuego” from Doña Francisquita
Jonah Hoskins, tenor, USA
Ernesto Lecuona
“Mulata infeliz, tu vida acabó” from Maria La O
Emily Pogorelc, soprano, USA
Jose Serrano
“La roca fría del calvario” from La Dolorosa
Ivan Ayon-Rivas, tenor, Peru
Ruperto Chapí
“Al pensar en el dueño de mis amores” from Las hijas del Zebedeo
Mané Galoyan, soprano, Armenia
Pablo Sorozábal
No puede ser from “La tabernera del Puerto”
Bekhzod Davronov, tenor, Uzbekistan
Operalia’s Hymn (text and music by Plácido Domingo Jr)
Bolshoi Theatre Symphony Orchestra
Conductor Plácido Domingo
Operalia was founded in 1993 by Plácido Domingo to discover and help launch the careers of the most promising young opera singers of today. Operalia’s goal is to attract singers between the ages of eighteen and thirty-two, of all voice types from and all over the world, to have them audition and be heard by a panel of distinguished international personalities, in the most prestigious and competitive showcase in the world.
Each year, the Competition receives hundreds of applications. A pre-selection jury listens to every recording submitted and chooses the top candidates (between 30 and 40) to participate in that year’s competition. The international jury, presided by Plácido Domingo, listens to each of the chosen participants during two days of quarterfinals. Twenty participants are then selected to continue on to the semifinals, and ten singers are chosen for the finals. The quarterfinals and semifinals are carried out in audition form, but the final round is presented in the form of a gala concert accompanied by full orchestra.
Participating or even winning a prize in this competition is only the beginning of every singer’s relationship with Operalia. Since the jury is comprised of international opera managers and casting directors, these distinguished jurors often invite and engage some of the singers to perform in productions that are being scheduled in their respective theaters.
Jury Members Operalia 2021
Sophie de Lint
Director, Dutch National Opera, Amsterdam, Netherlands
Jonathan Friend
Artistic Advisor, The Metropolitan Opera, New York, USA
Samuel Gelber
Director of Artistic Planning, Washington National Opera, USA
Artistic Consultant, Glimmerglass Festival, USA
Jean-Louis Grinda
General Director, Opéra de Monte Carlo, Monaco
General Director, Chorégies d’Orange, France
Peter Katona
Director of Casting, Royal Opera House, London, United Kingdom
Robert Körner
Casting Director, Wiener Staatsoper, Austria
Joan Matabosch
Artistic Director, Teatro Real, Madrid, Spain
David Lomeli
Chief Artistic Officer, Santa Fe Opera, USA
Casting Consultant, Bayerische Staatsoper, Munich, Germany
Artistic Consultant, Dallas Opera, USA
Szilveszter Ókovács
General Director, Hungarian State Opera, Budapest, Hungary
Lyudmila Talikova
Opera Manager, Bolshoi Theatre, Moscow, Russia
Carolin Wielpütz
Designated Director of Artistic Administration, Theater an der Wien, Austria
Evamaria Wieser
Casting Consultant & Director of the Young Singers Project, Salzburg Festival, Austria
European Casting Consultant, Lyric Opera of Chicago, USA
Opera
Gioachino Rossini
Figaro's aria “Largo al factotum” from Il Barbiere di Siviglia
Edward Nelson, baritone, USA
Gioachino Rossini
Narciso’s recitative and aria “Intesi: ah! Tutto intesi” from Il Turco in Italia
Valery Makarov, tenor, Russia
Gaetano Donizetti
Lucia’s aria “Regnava nel silenzio” from Lucia di Lammermoor
Emily Pogorelc, soprano, USA
Jules Massenet
Sancho Pança’s aria “Riez, allez, riez du pauvre ideologue” from Don Quichotte
Jusung Park, bass-baritone, South Korea
Gioachino Rossini
Arsace’s cavatina “Ah Quel giorno ognor rammento” from Semiramide
Keymon Murrah, countertenor, USA
Giuseppe Verdi
Corrado's aria “Tutto parea sorridere” from Il Corsaro
Ivan Ayon-Rivas, tenor, Peru
Vincenzo Bellini
Romeo's aria “Se Romeo t'uccise un figlio” from I Capuletti ed I Montecchi
Victoria Karkacheva, mezzo-soprano, Russia
Gaetano Donizetti
Tonio's aria “Ah mes amis” from La Fille du Régiment
Jonah Hoskins, tenor, USA
Giuseppe Verdi
Violetta’s aria “È strano, è strano” from La Traviata
Mané Galoyan, soprano, Armenia
Giacomo Puccini
Rodolfo's aria “Che gelida manina” from La Bohème
Bekhzod Davronov, tenor, Uzbekistan
Sergei Rachmaninov
Aleko's aria “Ves tabor spit” from Aleko
Dmitry Cheblykov, baritone, Russia
Zarzuela
Pablo Luna
“De España vengo” from El niño judío
Ekaterina Sannikova, soprano, Russia
Amadeo Vives
“Por el humo se sabe donde está el fuego” from Doña Francisquita
Jonah Hoskins, tenor, USA
Ernesto Lecuona
“Mulata infeliz, tu vida acabó” from Maria La O
Emily Pogorelc, soprano, USA
Jose Serrano
“La roca fría del calvario” from La Dolorosa
Ivan Ayon-Rivas, tenor, Peru
Ruperto Chapí
“Al pensar en el dueño de mis amores” from Las hijas del Zebedeo
Mané Galoyan, soprano, Armenia
Pablo Sorozábal
No puede ser from “La tabernera del Puerto”
Bekhzod Davronov, tenor, Uzbekistan
Operalia’s Hymn (text and music by Plácido Domingo Jr)
Bolshoi Theatre Symphony Orchestra
Conductor Plácido Domingo
Operalia was founded in 1993 by Plácido Domingo to discover and help launch the careers of the most promising young opera singers of today. Operalia’s goal is to attract singers between the ages of eighteen and thirty-two, of all voice types from and all over the world, to have them audition and be heard by a panel of distinguished international personalities, in the most prestigious and competitive showcase in the world.
Each year, the Competition receives hundreds of applications. A pre-selection jury listens to every recording submitted and chooses the top candidates (between 30 and 40) to participate in that year’s competition. The international jury, presided by Plácido Domingo, listens to each of the chosen participants during two days of quarterfinals. Twenty participants are then selected to continue on to the semifinals, and ten singers are chosen for the finals. The quarterfinals and semifinals are carried out in audition form, but the final round is presented in the form of a gala concert accompanied by full orchestra.
Participating or even winning a prize in this competition is only the beginning of every singer’s relationship with Operalia. Since the jury is comprised of international opera managers and casting directors, these distinguished jurors often invite and engage some of the singers to perform in productions that are being scheduled in their respective theaters.
Jury Members Operalia 2021
Sophie de Lint
Director, Dutch National Opera, Amsterdam, Netherlands
Jonathan Friend
Artistic Advisor, The Metropolitan Opera, New York, USA
Samuel Gelber
Director of Artistic Planning, Washington National Opera, USA
Artistic Consultant, Glimmerglass Festival, USA
Jean-Louis Grinda
General Director, Opéra de Monte Carlo, Monaco
General Director, Chorégies d’Orange, France
Peter Katona
Director of Casting, Royal Opera House, London, United Kingdom
Robert Körner
Casting Director, Wiener Staatsoper, Austria
Joan Matabosch
Artistic Director, Teatro Real, Madrid, Spain
David Lomeli
Chief Artistic Officer, Santa Fe Opera, USA
Casting Consultant, Bayerische Staatsoper, Munich, Germany
Artistic Consultant, Dallas Opera, USA
Szilveszter Ókovács
General Director, Hungarian State Opera, Budapest, Hungary
Lyudmila Talikova
Opera Manager, Bolshoi Theatre, Moscow, Russia
Carolin Wielpütz
Designated Director of Artistic Administration, Theater an der Wien, Austria
Evamaria Wieser
Casting Consultant & Director of the Young Singers Project, Salzburg Festival, Austria
European Casting Consultant, Lyric Opera of Chicago, USA